SEARCH RESULTS FOR: Orlando Gibbons
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1583–1625 English composer Although he made his living as a keyboard player, it is for his vocal music that Gibbons is best remembered. His anthems, for combi­nations of soloist, choir and instruments, are still heard in churches and concert halls. In the simple but deeply moving This is the Record of John, a five-part chorus echoes ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Billy F. Gibbons (b. 1949), also known as the Reverend Willie G, led his Texas boogie band, ZZ Top, to international superstardom in the early days of MTV, combining a unique image with driving Southern rock and a series of eye-catching videos. At the music’s core was Gibbons’ tasteful blend of rhythmic crunch and fiery soloing, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The mid-1730s operas Orlando, Ariodante and Alcina represent the artistic peak of Handel’s operatic career. Their stories all originate in the epic poem Orlando Furioso by the playwright and poet Ariosto, who was born and bred at the Ferrara court in the late fifteenth century. Orlando portrays the destructive insanity of its title-hero, who ignores his destiny by ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

The sole remaining mystery of the virginals is its name – and its singular plurality. A virginals ? Nor need there be two instruments to speak of a ‘pair’ of virginals. This was common parlance in Tudor times. Origins of the Virginals As to the singular or plural form, both are acceptable these days – but why ‘virginal’ in the ...

Source: The Illustrated Complete Musical Instruments Handbook, general editor Lucien Jenkins

(Kär’-lo Ja-zoo-al’-do) c. 1561–1613 Italian composer Gesualdo may be more famous than he deserves to be. Everyone loves a good story and Gesualdo, who brutally murdered his wife and her lover, provides one of the most colourful and scandalous in all music history. A nobleman of minor rank, he found, strangely, that his marital history did not ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

Perhaps the most important developments in music around the year 1600 were the emergence of the basso continuo and the fashion for virtuosity. The presence of an independent bass line moved composition away from the flowing polyphony of the Renaissance, in which all voices played an equal role in the texture, leaving the upper voices free to indulge in ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

It is still possible to find old books which explain cheerily that the viol was an early version of the violin, now superseded. It is worth saying straight away that this is not true. These two related but different families of instruments both evolved from the early sixteenth century in northern Italy, but made different sounds and were played ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

A small number of Handel’s dramatic works are known as the ‘magic operas’, including Rinaldo, Teseo (1712), Amadigi (1715), Orlando (1733) and Alcina. These operas feature protagonists who use sorcery to manipulate love, usually for evil ends. Most common among these operas is the prima-donna sorceress figure, who attempts to compel a castrato hero away from his true ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

1678–1741, Italian Vivaldi’s father was a talented violinist who was employed at St Mark’s in Venice, and it is likely that his father was also involved in managing operas in that city during the late seventeenth century. Although Vivaldi was nominally a Catholic priest by profession, he did not have to say Mass for most of his life ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

b. 1949 English soprano Kirkby was known early in her career primarily as a member of the early music group the Consort of Musicke and as a recitalist with the lutenist Anthony Rooley. She has subsequently performed music from all eras up to the time of Mozart and beyond. Her many recordings include Purcell’s Dido and Aeneas, Handel’s Orlando, ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1685–1759 English composer George Frideric Handel is one of the best known of all Baroque composers. His gift for melody, his instinctive sense of drama and vivid scene-painting, and the extraordinary range of human emotions explored in his vocal compositions make his music instantly accessible. Works such as Messiah (1741), Water Music (1717) and Music for the Royal Fireworks ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

1685–1759, German Handel composed 42 operas between 1704 and 1740, but most of these were neglected and seldom performed after his lifetime. In the twentieth century, Handel’s music dramas and in particular his operas underwent a renaissance that has established him as the definitive theatre composer of the late Baroque period. Handel was a maverick composer who pursued ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

A leading figure on America’s West Coast music scene, Jerry Garcia was born in San Francisco in 1942. His father was a retired professional musician, his mother a pianist. The musically inclined Jerry began taking piano lessons as a child. The emergence of Chuck Berry, Buddy Holly and Eddie Cochran inspired him to learn guitar at 15, ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Yo-an’-nez Se-kon’-ya) c. 1370–1412 Franco-Flemish composer and theorist Ciconia was active principally in Italy. For many years he was regarded as the main link between Machaut and Du Fay, and although other influential composers have now come to the fore, he is still seen as one of the most important figures of his generation. He wrote songs in French and ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

c. 1390–1453 English composer Dunstaple was the best known of an influential group of English composers which included Power. To judge by the number of his works in continental manuscripts, he was probably one of the most important composers of his day in Europe, although he may not have travelled particularly widely. He wrote early Mass cycles, including ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie
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